The input impedance of a guitar amplifier can be an important factor in determining its sound, as the input places an electrical load on the pickups, changing how both the amp and the guitar react to playing. There were 8 simultaneous recording channels at 24-bit/96 kHz, with a wide range of ins and outs, including S/PDIF, AES/EBU, XLR, and 1/4" outputs, a mic input, and two 1/4" line level inputs.ĭigidesign created a system called ‘True Z’, which matched the input impedance of the emulated amplifier’s hardware counterpart. The interface itself was dual-DSP powered, which meant you didn't have to worry about latency issues when recording, it was effectively a DSP interface for Pro Tools Vanilla software. The Eleven Rack was also a high-quality interface for Digidesign Pro Tools. You could incorporate your favourite stompboxes and effects into the Eleven Rack with the integrated effects loop that could be assigned and moved almost anywhere within the signal chain. It included emulations of classic guitar amps, cabinets and stompboxes, as well as a collection of rackmount effects processors and microphone emulations. The Eleven Rack could be used as a stand-alone guitar processor, without the need for a computer, for live applications. It was actually all three of these and more.
In our History Of Pro Tools series in 2009 we came to the release of the Eleven Rack and discovered that it was not just a multi-effects unit, or an amp modeller, or just a Pro Tools interface. This got me thinking, is this Avid selling off the remaining stock of the last interface they have for Pro Tools Vanilla? As a result, are they finally getting out of the non HD interface market and leaving it to 3rd party manufacturers? The Eleven Rack - The Last Interface In The Avid Product line For Pro Tools Standard I have just posted an article on our Partner Deals page that Avid are running a promotion on their Eleven Rack interface with Eleven Rack software and a 12 month Pro Tools subscription with the line “While supplies last”.
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